Photographer: Ryan Jerome
Stylist: Kelly Mi Li
Hair: Paul Norton
MakeUp: Uzo
Models: Sally Jonsson and Blake Myers
Glamoholic Magazine # 3er anniversary
Last Days of Summer
Photographer: Benjamin Kanarek
Photography Direction: Benjamin Kanarek & Frédérique Renaut
Model: Daniela De Jesús Cosio
Stylist: Coline Peyrot
Fashion Editor: Dank-Quy Nguyen
Make-Up: Mairielle Loubet
Hair: Calliste
Digital: Lara Chrome
Filming and Photo Assistant: Laura Stevens, Guilhem de Nazareth
Video Direction: Frédérique Renaut
Elle Vietnam # October 2014
Title: Modern Couture
Via
Photographer: Luigi Murenu and Iango Henzi
Concept: Luigi Murenu
Model: Natasha Poly
Hair: Luigi Murenu
MakeUp: Virginia Young
Vogue Germany # October 14
Via: Treats! Magazine
Photographer: Urivaldo Lopes
Art Director: Christian Biyiha
Assistant Light: Jonathan Mahaut
Stylist: Ritch Madlein
Assistant Stylist: Ilona Glapa
MakeUp & Hair: Laura Dansou
Editing: Sebastien Bar
Model: Luma Grothe
L'EDITO Magazine - June 2012
Title: Norma Jean
Photographer: Laurent Nivalle
Stylist: Lisa Cameron
Stylist Assistant: Marion B. Wuthier
Model: Leonor Mira
EON Paris # 2015
Via: Behance
EON is based in Paris, France. She studied atFashion Institute Of Technology and graduated in 2008. Her collections are produced in France.
Lisa Cameron is a young designer who after different experiences decided to create her own line. She is a french-american designer who graduated from Grenoble Graduate school of Business, from the FIT of New York and from the Atelier Chardon Savard in Paris. She developed her skills at Alexander Wang’s, Jean-Paul Gaultier’s, Maison Martin Margiela.
In 2011, she launched Eon , named after the knight, presenting a woman with a lot of personality and temper . The line is made for a young, urban and active woman, who is conscious of her look and comfort. A garment is, before anything, a way to express ourselves and to convey a message on themes we really care about, altogether with a humoristic touch that also means to be positive. Her goal is also to emphasize the value of clothing, which has become nowadays a worthless consumer’s mass product. That’s why she prefers small series where each item has its own number.
