Andreas Kock es un fotógrafo de impacto. Formado como director de arte, su interés por la fotografía, las imágenes conceptuales, la moda y las mujeres, pronto empezaron a rondar por su cabeza. Como fotógrafo ha desarrollado su sello personal, enérgico, rico en color y con una intensa interacción con sus modelos, con la capacidad de crear imágenes "stopping power" y con elementos provocativos. Sus imágenes y sus editoriales de moda son meticulosamente planificadas y cuidadas hasta el mínimo detalle, siempre basadas en una idea conceptual potente, Andreas se inspira en el arte, el cine, el sexo y las mujeres. El cine chino, y el director Wong Kar-Wai en particular, son algunas de sus referencias más importantes. Fan de Richard Avedon y de Philip-Lorca diCorcia, los más grandes creadores de finales de los noventa. Ha disparado para revistas como Vogue Rusia, Arena, Bon, Plaza, Glamour, etc.

Andreas Kock is a man of full impact. With a background as an art director, his interest for photography, conceptual visuals, fashion and, not least, women soon took overhand. As a photographer, he instantly developed his own trademark idiom, based on qualities such as high energy, rich color and intense interaction with his models, with the rare capacity of creating images with ”stopping power” and sometimes an element of provocation. Andreas stages both his individual images and his fashion stories very carefully, meticulous in every detail, always based on a strong conceptual idea, often inspired by art, cinematography, sex and by women in themselves. Chinese film, and director Wong Kar-Wai in particular, are among his most important references. Of photographer colleagues, Andreas is an admirer of classic master Richard Avedon and of Philip-Lorca diCorcia, the great trendsetter of the late nineties. He has shot for magazines such as Russian Vogue, Arena, Bon, Plaza, Glamour, etc.
Via: Camaralink