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matteo montanari







29 year old photographer born in Italy. Moved to London in 2002 to study fashion, now based in Paris You may have seen his work on V Man, Another Man, L'Uomo Vogue, Le Monde, I-D, Double, Purple, Hercules, Industrie, GQ Style, Hero, Elle US, Rolling Stone, Bon Magazine and collaborates with brands like Replay, Max&Co, Diesel, Oysho, Marc'o'Polo 

Photographer: Matteo Montanari
Model: Jessica Stam
Campaign: Oysho # Spring 2013
New York
Via













The work of Philippe Cometti first a apperared in the cutting edge magazine, Dutch, in 1996.
Mainly shot in studios, his photographs are always a portraiture, analytic, dynamic and energetic. Framing and capturing a moment in time is his particular signature.
In 1997 he was asked by the same publication to shoot for their birthday issue, "40 Years of Yves Saint Laurent" more...
Photographer: Philippe Cometti
Via: designyoutrust

marcos domingo








Photographer: Marcos Domingo
Stylist: Jamina Bass
MakeUp and Hair: Alvaro Sánches & Oscar Vera
Production: DeeBee
2beMAG # 18

De padre fotógrafo, su pasión por la fotografía se manifiesta a muy temprana edad.
Cursa estudios en el campo de la arquitectura y a los 22 años se traslada a Barcelona. Es ahí donde comienza su carrera como fotógrafo aunque es en Milán, en el año 2.000 cuando su carrera empieza a tomar forma. Trabaja como asistente para el fotógrafo de still life Luca Ugolini y para la Agencia de Publicidad Boutique Creativa, permitiéndole colaborar con clientes como Giacomini, Prisma, Klewe, Selection Top, Osram, Gordon’s, Universal Music, YKK y otros.
En el año 2.004 empieza a trabajar como freelance y abre su propio estudio en Milán y decide concentrase en la fotografía de moda, trabajando para las más importantes agencias de moda de Milán como Why Not, Beatrice Models, Fashion, Riccardo Gay etc.
En febrero de 2.006 se traslada a París donde no tardará en realizar importantes trabajos y sobre todo centrarse en una fotografía mucho más artística, basada en la crítica social que le permite mostrar al público su opinión sobre temas políticos, religiosos y sociales.
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Raised by a father photographer, his passion for photography comes out very early. After his studies of architecture he goes to live in Barcelona at the age of 22. It is here that he takes his first steps as a professional photographer although it will be in Milan, in the year 2000, when his career starts to take off. 
He works as an assistant to still life photographer Luca Ugolini and for the Publicity Agency Boutique Creativa, which allows him to work for clients as Giacomini, Prisma, Klewe, Selection Top, Osram, Gordon’s, Universal Music, YKK and others. 
In 2004 he starts as a freelancer and opens his own studio in Milan, turning his interest towards fashion photography. He gets to work with the major model agencies in Milan, like Why Not, Beatrice Models, Fashion, Riccardo Gay etc. 
In February 2006 he moves on to Paris to be able to express through his photography his critical vision on political, religious and social life.
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Andreas Kock es un fotógrafo de impacto. Formado como director de arte, su interés por la fotografía, las imágenes conceptuales, la moda y las mujeres, pronto empezaron a rondar por su cabeza. Como fotógrafo ha desarrollado su sello personal, enérgico, rico en color y con una intensa interacción con sus modelos, con la capacidad de crear imágenes "stopping power" y con elementos provocativos. Sus imágenes y sus editoriales de moda son meticulosamente planificadas y cuidadas hasta el mínimo detalle, siempre basadas en una idea conceptual potente, Andreas se inspira en el arte, el cine, el sexo y las mujeres. El cine chino, y el director Wong Kar-Wai en particular, son algunas de sus referencias más importantes. Fan de Richard Avedon y de Philip-Lorca diCorcia, los más grandes creadores de finales de los noventa. Ha disparado para revistas como Vogue Rusia, Arena, Bon, Plaza, Glamour, etc.

Andreas Kock is a man of full impact. With a background as an art director, his interest for photography, conceptual visuals, fashion and, not least, women soon took overhand. As a photographer, he instantly developed his own trademark idiom, based on qualities such as high energy, rich color and intense interaction with his models, with the rare capacity of creating images with ”stopping power” and sometimes an element of provocation. Andreas stages both his individual images and his fashion stories very carefully, meticulous in every detail, always based on a strong conceptual idea, often inspired by art, cinematography, sex and by women in themselves. Chinese film, and director Wong Kar-Wai in particular, are among his most important references. Of photographer colleagues, Andreas is an admirer of classic master Richard Avedon and of Philip-Lorca diCorcia, the great trendsetter of the late nineties. He has shot for magazines such as Russian Vogue, Arena, Bon, Plaza, Glamour, etc.
Via: Camaralink
Campaign: House of Dagmar

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